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FAUST
| Set Designer: Tom Macie |
Director: John Lehmeyer |
| Lighting Designer: Benjamin Pearcy |
Costume Designer: John Lehmeyer |
| Assistant Director: Lewis Shaw |
Choreographer: Kimberly Mackin |
| Stage Manager: Laura Lee Everett |
Conductor: David Gímenez |
| Year Built: 2001 |
Technical Director: George Tivvis |
| Concept Period: World War I |
Shop: Baltimore Opera Company |
COSTS
| Rental Fee: |
$25,000.00 |
| Director: |
No obligations, but strongly recommended for artistic
continuity |
| Set Designer royalty: |
25% |
| Set Designer services: |
No Obligations |
| Number and size of trucks: |
tba (estimated at 2 48' air ride trucks) |
| Insurance required: |
$200,000.00 |
| Loading costs: |
$5,000.00 |
| Notice required for loading: |
One Month |
| Technical Supervisor: |
$300.00 per day; estimated 6 day minimum |
Baltimore Opera Company requires a Technical Supervisor
to be present for the initial load-in, set-up and load-out of all sets.
This representative is not to act as the renting company's Technical Director.
The cost of this Supervisor is the responsibility of the renting company
and consists of daily fees for work and travel days. Round-trip airfare,
hotel accommodations and per diem are also required and are in addition
to the daily fee listed above.
Crew Requirements
In Baltimore the following crew sizes were used. Crew sizes may vary
for the renting company, depending on its schedule, the size of the
theater, etc.
| Stage carpenters (deck): |
|
Set up: 14 |
|
Running: 14 |
|
Strike: 14 |
| Stage carpenters (fly): |
|
Set up: 4 |
|
Running: 4 |
|
Strike: 4 |
| Stage properties crew: |
|
Set up: 0 |
|
Running: 4 |
|
Strike: 4 |
| Stage Electricians: |
|
Set up: 8 |
|
Running: 2 |
|
Strike: 8 |
| Sound crew: |
|
Set up: 0 |
|
Running: 0 |
|
Strike: 0 |
| Carloaders: |
|
Set up: 4 |
|
Running: N/A |
|
Strike: 4 |
| Approximate time - building
set: |
|
20 Hours |
|
|
|
|
| Approximate time - to
dress rehearsal: |
|
30 Hours |
|
|
|
|
Set Technical Information
| Minimum width: |
Minimum depth: |
| Total number of line sets: |
Line sets for scenery: |
| Line sets for electric's: |
Line sets for masking: |
| Height of tallest drop: |
Tripping of drops permitted: |
| Height of tallest flying piece: |
Height of tallest standing piece:
|
| Furthest U/S flying piece: |
Heaviest flyer: |
| Dimensions of largest standing piece: |
|
| Dimensions of Dollys: |
|
| Number of ground cloths: |
|
| Hardware available w/rental: |
|
| Stock scenic elements used: |
|
| Stock units available w/rental: |
|
| Special storage considerations:
|
| Weight of scenery for
shipping: |
Properties Information
| Properties available with show: |
|
| hand props: Yes |
furniture: Yes |
set props: Yes |
| weapons: Some |
specialty props: Some |
ground cloths: N/A |
Costumes - costumes must be rented with the full production
COSTS
| Rental Fee: |
|
$30,000.00 (rental arranged through
Malibar Ltd.) |
| Costume Designer royalty: |
|
through Malibar |
| Costume Designer services: |
|
No obligations |
| Number of Principal costumes: |
|
14 |
| Number of chorus costumes: |
|
84 |
| Number of supernumeraries costumes: |
|
24 |
| Number of dancers costumes: |
|
12 |
| Accompanying accessories: |
|
|
Wigs:
|
|
Available from BOC Designer - see
Wig Shop |
Headgear:
|
|
Yes |
Legwear:
|
|
Some |
Jewelry:
|
|
No |
Footwear:
|
|
No |
Costume Props:
|
|
Yes |
Others:
|
|
|
| Insurance required: |
|
$100,000.00 |
| Loading costs: |
|
$1,000.00 |
| Notice required for loading: |
|
One Month |
| Technical Supervisor |
|
$275.00 per day; estimated 6 day minimum |
Projection Special Effects Information
Projection/special effects equipment used: TBA
Projection/special effects equipmentavailable with rental:
TBA
Title projections for this production are available in: English
History of Previous Usage of Production
| Company |
Director/Conductor |
Year |
| Baltimore Opera Company |
Lehmeyer/Gímenez |
November 2001 |
All rental information and pricing is subject to change
without notice. Material at this site is the property of Baltimore Opera
Company and is presented solely for informational and educational purposes.
It is not to be reproduced or used for any other purpose without the
written consent of Baltimore Opera Company.
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