
Study Guide
Study Guide Contents
GENERAL INFORMATION
- Beginner's Guide to Opera
- Who's Who At the Opera
- The Lyric Opera House
- BOC Education Programs
- A Bibliography of Selected Readings
- Education Resources
2007-2008 SEASON
2006-2007 SEASON
2005-2006 SEASON
2004-2005 SEASON
2003-2004 SEASON
2002-2003 SEASON
PREVIOUS OPERAS
A Beginner's Guide to Opera
At Baltimore Opera, we know that the thought of attending an opera can be intimidating for those who've never been before. With that in mind, we've compiled this guide to answer some of the more commonly asked questions…
American Idol is on! Why should I go to the opera?
Opera is the ultimate multimedia experience, embodying the best of all the performing arts. Spectacular sets, grand costumes, glorious music, heartbreaking stories-Opera has everything, and it's all done live…
Still not convinced? Well, then consider this:
- Dinner + Opera = Extremely Romantic Date… And you know what that means…
- Gwen Stefani is nothing once you've seen a real Diva.
- It’s the only place where you can enjoy an evening of accidental adultery, mistaken identities, babies switched at birth, vicious back-stabbing (literally and figuratively) and the occasional walking, talking statue from hell and still call it high culture.
Who wants to watch a fat lady in a funny helmet?
If you think it ain’t over ’til the fat lady sings, you may be sitting around long after the show’s finished and everyone’s gone home. The stereotype of a fat soprano in a horned helmet grew out of Wagnerian operas (Wagner was a late 19th century German composer and is one of the most significant figures in the development of opera), but those kinds of singers just aren’t as common today as they once were. Today’s productions demand performers who both sing well and look the part.
But I only speak English! There's no way I'll be able to figure out what's going on!
All operas at Baltimore Opera are presented in their original languages. On any given night, you might hear something in Italian, French, German, or even Czech. But no worries! All of Baltimore Opera's productions are presented with English surtitles projected above the stage. If you enjoyed "Motorcycle Diaries " or "Maria Full of Grace " (or, for that matter, "Star Wars" or "Star Trek" -- do you really speak fluent Huttese, Wookie, or Klingon?), you'll be just fine at the opera.
Still worried you won't be able to follow along? We have a few other ways to help you out:
- All of our programs have a short outline of the plot. If you want to avoid giving away the ending and keep yourself in suspense, just skip reading the description of the final act.
- If you'd like a more detailed description, libretti (books with all the words of the opera) are available for purchase in the lobby before each performance.
- Our Perspectives Lectures series presents a free pre-show discussion in the Lyric one hour before each performance. A nationally recognized expert will explain the history and important features of the show, pointing out things you should watch for in the opera.
Will a ticket purchase require a second mortgage?
Our prices are much more reasonable than you probably realize. Of course we have some pretty expensive tickets, but you can get really good seatsfor less money than you’d spend on nosebleed seats at a Ravens game.
When you think about it, opera's a bargain! Consider the combined costs of a symphony concert, a play, a ballet, and a voice recital by an international star. We give you all that in a single evening for one low price!
I seem to have misplaced my tiara. You're not going to kick me out, are you?
A common misconception about opera is that there's some kind of dress code. Lots of people love to get as dressed up as they can for an evening at the opera, but that doesn't mean you have to. The opera was once considered the perfect opportunity for everyone in town to try to out-do each other and see who could wear the most elegant clothing, but things are much more relaxed these days. Come to the opera and you're likely to see people in everything from jeans to tuxedos.
Sorry I'm late -- traffic on JFX was just awful! Can I still get in?
It would be rude to the performers and other audience members if we let people into the theater once the performance begins. If there's an appropriate musical break or scene change, latecomers may be seated at that time. If not, they will be seated at the first intermission. However, you don't have to worry about missing the first act entirely-the lobbies at the Lyric are equipped with widescreen TV monitors that broadcast the onstage performance.
When do I clap?
It's customary to applaud after the end of each aria or chorus, as well as at the end of each scene or act. If you're not sure what to do, just applaud when everyone else does. If you really enjoyed a particular segment, there are a few words you can yell to show your appreciation:
- Bravo (BRAH-voh) - if it was a male singer
- Brava (BRAH-vah) - if it was a female singer
- Bravi (BRAH-vee) - if there were multiple singers, or
- Brave (BRAH-vay) - if they were all women
If you'd rather not have to remember all this, there's always the good ol' standing ovation to show your love. Just stand up and keep clapping!
So, were all operas written hundreds of years ago?
Not at all! The twentieth century produced more than its fair share of great operas, and new ones are being written and produced all the time. Some of the more popular ones from the last century include:
- Porgy and Bess (George Gershwin, 1935)
- Trouble in Tahiti (Leonard Bernstein, 1952)
- Susannah (Carlisle Floyd, 1954)
- Einstein on the Beach (Philip Glass, 1975)
- Nixon in China (John Adams, 1987)
- The Ghosts of Versailles (John Corigliano, 1991)
- Little Women (Mark Adamo, 1998)
Not only were these operas written relatively recently, but all of them are in English by American composers!
What the heck's an aria?
For an extensive list of common opera terms, consult the glossary at the back of this Guide. However, here are some of the more common words opera people like to toss around:
- aria - the opera equivalent of a monologue; one of those big solo numbers where a character sings what he's feeling
- baritone - a male voice type whose range lies between a bass and a tenor
- bass - the lowest male voice type
- bel canto - an Italian phrase meaning "beautiful singing"; the term for a style of opera composition and singing popular in the early 19th century
- castrato - a male singer castrated before puberty in order to retain the purity and soprano range of a boy's voice while adding the power of a mature man's body. We don't do this anymore. That's what we tell people, anyway…
- coloratura soprano - a type of a soprano with a light, pure tone who specializes in parts requiring extreme agility
- contralto (or alto) - the lowest female voice type
- countertenor - a male voice type higher than a tenor; generally, this voice type is similar in range to the female soprano voice
- mezzo-soprano - a female voice whose range lies between that of a soprano and contralto
- recitative - the sung dialogue between arias
- soprano - the highest female voice type
- tenor - a high male voice type
- trousers role - a male character played by a female singer; particularly common in 18th century operas, such as those by Mozart
This is all fascinating. Where can I find out more?
Well, for starters, check out www.baltimoreopera.com for information on our current season, tickets, directions, etc. If you're interested in learning more about opera, a quick web search will turn up plenty of sites to explore. If you'd like a suggestion of where to start, check out these websites:
- The Metropolitan Opera - www.metopera.org
includes stories of most major operas in the common repertoire
- OPERA America - www.operaamerica.org
the professional service organization for opera
- U.S. Opera - www.usopera.com
a website dedicated to information on operas by American composers
As you can see, opera's not so scary! Why not give it a shot? Buying tickets is easy-just call our friendly box office folks at 410.727.6000. They'd be happy to answer any additional questions you have, too. Or, if you'd prefer, pop by for a visit-our box office is located in the Lyric Opera House, at 110 West Mount Royal Avenue.
-Chris Myers







